How To Make Guitars Sound Bigger In A Mix

This simply means recording the part multiple times and then pan them to make it sound wide. At this point it s time to stop using the guitar sound for a moment and move over to white noise. It s also a great way to make your music sound unique.

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Spread things out mix it up eq your elements.

How to make guitars sound bigger in a mix. White noise is used to torture people. If you paint a tree and then paint a house on top nobody is going to know that there s a tree behind your house. Many people underestimate the importance of the electric guitar in a mix. Another word of warning though.

It s not the equipment it s not the pedals it s the player. It s about 11 decibels down from the original guitar capture but when i bring it in it does certainly make a difference. And that s how you make that guitar mix sound amazing. The same goes for guitar mixing if there are layers of guitars on top of everything all the other subtle elements aren t going to get noticed.

But when they re mixed wrong they can take up a ton of space. Rather than making a song more emotional they can make it blander. Obviously we could use springs we could use plates but in this particular case i want a big room kind of sound and i don t have it up very loud. So when you have an amazing player in the studio you have to make sure your chops are as good as their tone.

You can do this by recording the exact same part twice or perhaps you record the same part with a different guitar or a different amp to give it a slightly different sounds that helps make things sound bigger overall. Set up a signal generator in your daw and use it to send the noise to the re amp. The right amount of reverb can add space and depth to your mix especially in the low range. Usually associated with vocal and guitar recording double tracking is one of the most popular techniques for achieving a wide rich stereo effect.

When recording big electric guitar sounds one of the big keys is to make sure you double track guitars. It makes your brain hurt. This second technique works well on almost any sound but is especially effective on percussive or rhythmic parts where an obvious reverb tail would cloud the mix. Layer them on top of each other and let the best of each shine through.

They can make your mix thick powerful and exciting. Don t destroy the sound through poor recording. If their sound is in their fingers your sound is in your ears. When mixed properly they add a great deal of emotion to the song.

Experiment with different settings to find the sweet spot between depth and an overproduced sound.